One Summer Evening of Music, Dance, & Entertainment



With music and dance the possibilities are endless and what better than enjoying an evening far away from the summer heat in the hills of Shimla in the Mall square where we can live the atmosphere of the hills with melodies alternating between romantic sweet songs and fast track music of great impact, highlighting the harmony and the virtuosity of magical voices contributing with intense solos, while the sensational moves of dancers are the natural counterpoint to the deep voice of the singers.

By lacerating contradictions, from the deep gap between tradition and progress, however, where love and human relationships thrive, will have a key role in the eclectic atmosphere of the place. Through just that mix of tradition and modernity, of Indian rhythms and Western bases, will be the key to their success, mainly due to the energy that can release in their every performance, and the audience involvement in a colorful swirl of music, dance and song for hours in high voltage.

The duo will then replicate and launch the music in a show encompassing formula with a unique, strong and powerful performance, which refers to the time when the live performances represented the musical accompaniment of a whole nation and thanks to consistently brilliant and exciting performance has meant that this talented duo did not remain confined within the boundaries of his country, but earned worldwide fame.

The duo of music and dance will be able to transform the ensemble performance in incredible percussive movements capable of complex rhythmic and melodic structures, guided by their irresistible charisma and mastery of rhythms that sets them apart, in a refined flow of notes.

The Mall Square will present a spectacular setting, amidst airy furnishings, glittering costumes and old tools characteristic of nomadic ethnic groups that, for centuries, living on the edge of the hills as the duo intertwine their performance creating an unusual harmony that combines two traditions, shaping the look and gesture in an introduction to poetry on the theme of the story of love and legendary as well as profane songs in during seasonal festivals and family celebrations, and religious songs.

Accompanied by the rhythms of the drum, guitar and melodic voices, the young dancers will dance their way through, whose evolutions evoke the long journey of the people and seem to announce the fate of the youngsters, devoted to dance like the god Shiva, calling the move of wandering cosmic amidst whirling rhythms, in a striking finale, that will fascinate young and old.

The music and dance will create an impression of extraordinary intensity and romantic ardour when performed by the duo in exquisite detail, elegance and delicate arpeggio performing different compositions, characterized by a certain virtuosity, eerie, obsessive and disturbing, in short repetitive phrases thrown from a single cell of triplets, while the hands are correlated in poetic moments, with steps full of freshness and lyricism, touched by disturbing shadows which then continue in ever more colour, and go beyond the limits of tonality developing a style based on the overlap of the harmony.

The singers will open new perspectives to the music of the twenty-first century with compositions, and their unbridled chromaticism, reach the outer limits of the traditional tonal system and point the way to an ever more free rendition which as a result her music will take a distinctly innovative prelude to the ones who try to push the limits of sound density and the expressive possibilities of music to create an atmosphere of ecstasy and aesthetics.

In their performance not only the sound paroxysms and psychology will be very accentuated, but also the harmonies will be more dense and complex interspersed with a rumbling arpeggio. At this intensity and harmonic drives will be opposed two melodic ideas, a whole sweetness, and sensuality, while the other is a short grainy arpeggio that later comes alive and is interspersed with agreements that glide chromatically.

It follows a part of development in which the songs are presented in a different order and according to another hierarchy which is the start of a prodigious ballet in which successive imitations, acceleration, flights, relapse that does not exclude the seductive melody, or the freshness, despite the momentary renunciation of all expression too subjective.

The Sonata will end with a dance in which the moves adopts a wise and rigorous sequence, while the magical voice echo in the hills.

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