In a standout amongst the most carefully shot scenes, the gathering of people is given a sudden shock when the lights go off and an electric lamp mirrors the figure of the teacher in the room. The scene is not of much significance in the riddle and practically totals up the whole film. The puzzle is really easy to break yet Anjan Dutta bands the film with outstanding specifying and rich shooting.
Abar Byomkesh in light of Sharadindu Bandyopadhyay's Chitrachor is about Byomkesh Bakshi who is recovering in the slopes alongside his delightful wife Satyabati (Ushasie) and trusted sidekick Ajit (Saswata) after a horrendous episode of an existence debilitating disease. The period is 1960's (apparent from the Times magazine with John F Kennedy on the spread, for any individual who knows me realizes that that needed to get my attention) when real changes were occurring far and wide and most especially in Bengal (shared congruity was being restored).
It just so happens Byomkesh experiences an odd riddle wherein a cheat is taking each conceivable duplicate of a gathering picture taken a while back. The characters in the photo are clearly the characters in this screenplay and they flawlessly presented in a gathering scene at an early stage in the film. There's the rich industrialist (Biswajit Chakraborty), his widowed yet ostentatious girl (swastika), the specialist who is adoration with the little girl, the despondently wedded man (Pijush) whose visitor house the investigator is living in.
Aside from this subplot, the characters in the other subplot are an eager broker cum Byomkesh fan (Kaushik sen), the pompous District Magistrate (Chandan Sen) , the ever supportive SP (padhi). Every character has something to cover up and the puzzle achieves its tallness when an inebriated drifter, with a style for drawing portraits from memory, is slaughtered. Of course, much else is a giveaway.
To begin with, the screenplay. Chitrachor is one of the byomkesh thrillers where the riddle is anything but difficult to break particularly for prepared secret scholars. To be perfectly honest, it has a promising start at the end of the day is a powerless criminologist story. I trust this is something that more likely than not struck Anjan Dutta. He binds the film delightfully to conceal the remaining details and keeps the viewer snared while in the meantime stays consistent with the story. A quality that another bengali movie producer, Sandip beam, needs.
By and by one of the fundamental purposes behind me floating away from Feluda is the way Sandip Ray handles the class, Over the top and crude. This is one division where Anjan Dutta scores. The chief has splendid information of how to keep the adrenaline pumping and can liberally transcend the powerless storyline. Dutta utilizes the portrayal of Ajit to take the story forward making it just about feel like that we are perusing a novel.
Each casing and evry point of interest bears confirm that Byomkesh is near Dutta's heart and he makes the film like an energetic and hungry peruser would. The man deserves the applause and that's only the tip of the iceberg.
Of the cast, Ushasie puts in an invigorating execution as the analysts wife. The nuance's of marriage is very much portrayed by Ushasie and Abir. notice the grouping where they are battling about profound quality while Ajit smokes out of sight confounded as to whose side to take. The whole lobby chuckling was abundant confirmation of the scene's brightness. Kunal padhi as the SP has valuable little to do alongside Swastika. Pijush Ganguly puts in a triumphant go about as the baffled and miserable Professor.
Kaushik sen puts in a fabulous go about as the excited fan cum broker. The sore thumb in the film is Chandan Sen. He, as I would see it, is over dramatic in his appearances and the vast majority of the times winds up looking as though he is making a decent attempt. Abir Chatterjee repeats his part as the wedded criminologist (as Ajit shouts that one is not prone to locate any investigator who is hitched, it adds a valuable edge to portrayal).
One of the best quality of abir's execution is that he doesn't gorilla Uttam Kumar (who played Bokshi in Satyajit Ray's national honor winning Chiriakhana) nor does he impersonate Rajit kapur (the Bokshi on TV). Abir plays Byomkesh precisely the way he needs to and at last makes an exceptional character who won't and can't be contrasted with the ones the earlier legends made. Be that as it may, the best demonstration originates from Saswata who plays the capable sidekick Ajit.
Chatterjee makes a fabulous move from the heartless and smooth Bob biswas to the quintessential bengali working class man Ajit. His demonstration is justified regardless of a salute. He demonstrates with every scene that he is an on-screen character of the most noteworthy stature.
In all the film works on the grounds that Anjan Dutt can transcend the straightforward secret story and is supported by staggering exhibitions by the leads.