Once was Rajesh Khanna a guarantee of quality. End of the 60s he brought the women to Revel and the mothers-to dream. He filled the box office alone. A long time ago. He is now a shadow of himself, and when he shows up in a movie, which is a real warning sign. Newest example: "... Mere Hote Kaashh!". The veteran star played without anchoring in his role, emerged only on every now and then to give a few scraps for the best. And the sound yet so, as if he had done the dubbing via telephone. Terrible.
But Khanna is actually a bit better from in the cheap Bollywood love thriller. Everything else is full of amateurism and embarrassment. Starting with the cast Sneha Ullal is a cute girl and saw her debut in Lucky - No Time for Love still like a young Aishwarya Rai . Now she has something more rounded facial features and no more acting talent. She stands there like congealed candle wax and leiert down their more rough than memorized texts. Never passion is palpable, never an emotion, even in the most dramatic moments. A really bad performance.
No better is her co-star, the newcomer Kumar Saahil who wants to steal their stuff in the show stiffness. The poor suffering but also a thankless role - never had a dangerous escapade as dreary as with him. The woman he can slip into his life, he says, only to previous repeatedly "relax". Drama is postponed until the end. And then there's Sanaa Mirza. The debutante is actually quite sweet and has a subtle pretty face. But her part is horrible. It should be something like Shahrukh Khan in Darr, the choleric Lovesick. But it acts only as a caricature and not later than when they developed psychic powers, the whole thing is just stupid.
This should however also be in the film itself, because its tagline is Teenage attraction is not love. Whether this is meant from the perspective of an adult or teenager who is sometimes an open question, but either way it is naughty. Just because a teen by definition is young, he is not capable of love, but at best to flirtation? For pleasure? Sanaa has to play accordingly and constantly out reverse the seductress who stops for nothing. Since a double standard on the part of the director comes to light: He condemned the teens that they love allegedly not properly delights in the song-and-dance numbers but very happy at their superficial sexiness.
After all, there is something that the hormones to halt again and everything erotic fire extinguished: Johnny Lever. The less active in recent years, but not yet gone into retirement comedian plays the sheriff with make-up, earrings and lipstick. He makes an exaggeration to Tunte. And he sings. I'm glad I'm already resigned from the church because when you see this monstrosity I had momentarily lost faith in God. What demon has a Director ride that he finds something funny? What diabolical misanthropy he must cherish if he expects of such a thing to the unsuspecting public? But he belongs imprisoned.
The guy is the way BH Tharun Kumar. He worked for many years as a choreographer and has now been four films shot most recently the lousy Rafoo Chakkar. Given the poor quality of his directorial work, I would suggest him to switch back to the choreography specialist. He must only ensure that a couple of crisp Ass to hop rhythm. I trust him even halfway to. But to tell a story? motivate actors? Not on your life. His Kaashh Mere Hote is an embarrassing and silly moralizing thriller with wooden stars, unintentionally comical dialogues. E r is a photographer, he has to be very clever and an evil end. Never before has a cat fight boring and stiff. It is significant when the mediocre se music by Sanjeev-Darshan, the sons of a producer Wielding composer Shravan Rathod, still the best in the film is.
Farah Khan loves cinema so it seems to be the main subject of inspiration. After the film in the film with Om Shanti Om, here the film in the film Tees Maar Khan. Except that it's a fake. A fake film within the film. That may be why the film (the real) sounds wrong. Effect easy but tempting, after enduring two hours of laborious twists and Akshay Kumar on the verge of hysterics. Making use.
The idea of starting Shirish Kunder, husband of writer and director Farah Khan, however, was friendly but not original: the film is inspired by After The Fox with Peter Sellers: a robber Akshay Kumar decides to attack a encased train police officers to steal content, relying on villagers attacking the vehicle be thinking the extras of a film about the independence of India. In stars credible in the eyes of the villagers, the robber hiring Anya Khan, his girlfriend, an item girl that thinks it's an actress, and Atish Kapoor ( Akshaye Khanna ), a star on the return.
Between the facial expressions of one and poses on the other, there are some tasty times, even if the repetition of comic has its limits.
Akshaye Khanna find a role where he cultivates self-mockery, as in Short Kut - the con is on , it is unfortunately no longer an innovation, but it does that very well. Katrina Kaif is soooo credible evaporated nymphet making tons, it plays very badly with great sincerity and this is where you realize that, but yes, it's a real actress. And a dancer with contagious energy. Tees Maar Khan will at least have the interest of both make me sympathetic.
This is not the case of Akshay Kumar. You really he chooses his scripts and his best roles, because after Singh is Kinng, Chandni Chowk To China, Kambakkht Ishk, Blue and Khatta Meetha, that's a LOT of pots in 3 years! Looking Tees Maar Khan , we understand why Shah Rukh Khan was angry with her friend Farah: not crazy guy ...
When one is Don and that is the superhero, why would you take the role of a Z series of puppet? This proves that SRK can read the scenarios and detect crash behind a good idea it increased in 10 years. But is that Akshay Kumar was compelled to do so? From stamping and screaming from one end to another of the film? I will not even get its costumes, which significantly extend the boundaries of the great anything.
The music of Vishal Shekhar and is pretty nice, the clips too, but that fails to make the movie bearable. Accuracy: Salman Khan is very present in the promos, but it is there only for a clip. But Akshaye Khanna is strangely absent from the promotional material, while it is one of the few strengths of the film ... This reflects the spirit of Tees Maar Khan : Marketing, wind and nothing else.
To summarize Tees Maar Khan the comic is hyper-clumsy, situations are caricatured, villagers are taken for idiots, the police also and the band Nickel feet handlers are sordid. The last twenty minutes are a little more pleasant, time of remorse resonates softly, but too late, the viewer has exhausted a haste it stop!
Akaash Vani an intense love story which takes the couple through the hardships of a serious relationship is a Hindi romance film directed by Luv Ranjan, who became an overnight sensation with his debut film Pyaar Ka Punchnama, with Kartik Tiwari, Nushrat Bharucha, Kiran Kumar, Gautam Mehra, Sunny Singh Nijjar and produced by Kumar Mangat Pathak and Abhishek Pathak under the banner of Wide Frame Pictures.
Kaaka Muttai is a Tamil-language film starring Babu Antony, Iyshwarya Rajesh, Silambarasan written, directed and filmed by debutant M Manikandan produced by Dhanush and Vetrimaaran.