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The young Tamil Saravanan (Dhanush) hopes to make much money in Singapore. It can be summed up by a recruitment agency in the island state - but there he realizes that he will only be exploited. The pass, he has to give, he must stay in a mass barracks and wage he gets very little. Much of it goes to pay off the mediation. For three years he will probably have to work in order to be at all back to zero. To make a profit, he looks for a job as a car washer. But as he lies down in the house with a Chinese to who wants to then burn Saravanans pass.


There is a dispute, the Chinese crashes and dies. Saravanan flees. Here he meets the man for whom he has worked in the part-time job. He is on the run from gangsters and asks Saravanan to bring his niece Shalu (ABARNA) safely to India. But the family would pay him 300 000. rupees. Saravanan accepted and he is wanted by the police, to have the two hit by overland to Calcutta. Along the way they come closer ... Dhanush is a great guy.

The young Tamil is spindly and still plays on as an action hero. But I was already at the super hit Kadhal Konden amazed and also here at Purhu Kotaiyilirinthu Saravanan works. This is because that action scenes are well choreographed Dhanush that the man has a surprising screen presence and develop charisma. And that he has a penchant for self-irony. When wrestling with strong Burmese opponents smile on his thin arms and his non-existent biceps. And Shalu even among his prominent ribs. So you ertägt then easily that he beat up half a dozen well-built Thais in the water. Or in the best Bruce Lee style with the

Dhanush is just a teen-action hero of a special kind. His film Baby ABARNA is sweet, other actors play a marginal role. The subplot with two Tamil brothers and an obscure Frauentausch is absolutely unnecessary and only serves as comic relief. In order for the film 149 minutes, although he would have been feasible in about two hours. The main story is entertaining enough. The songs on the film values. "Nathu sarakku" is a superb danced, cool number. "Powder Padal" is very sensual - but out of place. "Baby Baby" is a weak song and will not improve that it is censored on DVD.

One often hears no sound and is below "censored". One can imagine that the lyrics are substantial, because to be exotic beauties Dhanush meander in minimalist clothing. The other two songs are moderate. PKS is an extremely heterogeneous film with hints of racism against ostastiatischen people - but he is loosely staged, full of action, humor and romance and offers a charismatic leading man. The hanger of Srory (Tamils ​​are abused abroad as cheap labor) has quite a socially critical component. Young Tamil cinema, which can compete with the northern Bollywood colleagues well in my opinion.

Karthik (Farhan Akhtar) is an introverted young man who lets himself be walked on by a rude chef, chores done everyone at the office and secretly dreams of his pretty colleague Shonali (Deepika Padukone). One day he bought a new phone, and his life changes: a man calls every day at 5 am.

This man knows everything about him and teaches him to overcome his crippling shyness, to exist at last. The man's name Karthik. It would be disoriented for less than that ... But by following his advice, Karthik's life changes completely everything, and when Shonali accepts his friendship, one suspects he will not stop there.

It is not possible to go further without disclosing the springs of the plot, but I encourage you to discover Karthik Calling Karthik, a film rather atypical, the story of a man not quite like any other.
The talented Farhan Akhtar was instrumental in the success of the film, we made ​​a Karthik multifaceted, sometimes desperate, lost, floating on the surface of a world that know, but who also knows how to be charming and decided, love tenderly, who can fight to try to understand what happens to him, to control his life. And all this with great gentleness, continuity in this character that makes him very endearing and which we believe in, from start to finish.

The actor has definitely a lot of presence, a game while subtlety that is well suited in this scenario, a particular voice, phrasing suited to his character. At his side, Deepika Padukone is in the tone of this intimate film. The couple is quite credible, relationships ring true, full of humor and anxiety, she was disappointed by other men before him, who can tell him everything.

Karthik Calling Karthik is the first film by Vijay Lalwani, who wrote and directed. The script is well constructed, with just enough suspense, strangeness, so that in between this story and make you want to finally understand what is happening to this man. Farhan Akhtar has co-produced the film with his longtime partner, Ritesh Sidhwani (Dil Chahta Hai), we realize that the adventure has tempted.

It emerges from Karthik calling Karthik a kind of bittersweet poetry, as we do not meet so often. The songs of Shankhar Ehsan Loy are well integrated and pleasant, but it is the background music that is most remarkable, it has a real added value and contributes to this particular climate that bathes the film.

Nugam features Jaybala, Iniya, Vijayakumar, Ganjakarupa and Preethi written and directed by Jeffy is a Tamil drama action thriller film produced by Synergy Creations.



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