Sardar Gabbar Singh Review


Did you like Dabangg and in its sequel did you have a good time? Well Sardaar Gabbar Singh should delight you! Action, humor, feelings, a good dose of second degree and a totally crazy heroes who practice cleverly self-deprecating, are some of the ingredients of this Telugu Masala.

Sardaar Gabbar Singh is the second installment in the franchise Gabbar Singh and is the official remake of blockbuster Dabangg by Salman Khan. However, this false result deviates completely from the main frame of the first movie and takes in some way, its independence from Dabangg. If you have not seen Gabbar Singh and if you know Dabangg 2, you have no need to worry because Sardaar Gabbar Singh is a new adventure of the character of Gabbar Singh as inspector who is freed completely from Dabangg license.

Worn from end to end, by its lead actor Pawan Kalyan who also wrote the screenplay, Sardaar Gabbar Singh is a crazy and uninhibited entertainment, midway between Sholay and Singham. True modern western, Sardaar Gabbar Singh appears to meet all the codes of the genre, not neglecting what makes the specificity of Telugu cinema, offbeat.

The cast is completed by actress Kajal Aggarwal who plays the princess in danger and the villain is played by the impressive Sharad Kelkar, seen in Ram-Leela where he played the brother of Deepika Padukone. Finally, the soundtrack was entrusted to a true specialist in telugu pop, rock star Sri Devi Prasad, known for his rhythmic and funs numbers.

Coordinated by KS Ravindra, who is otherwise called Bobby, Sardar Gabbar Singh has Kajal Aggarwal in the number one spot female part. Pawan Kalyan himself has delivered the film under the standard Pawan Kalyan Creative Works. Pawan Kalyan is back as the kickass cop in the second trip of Gabbar Singh establishment, Sardaar Gabbar Singh. The teaser of the film was discharged on March 17.

In the teaser, Pawan Kalyan is seen riding a stallion and a macho bicycle, and he likewise does everything that would make his fans go into a free for all. The tune made by Devi Sri Prasad supplements the "mass" component of the Powerstar. As of now, the teaser is one of the arguments on the online networking.

Kajal Aggarwal is assuming the lead female part in the activity dramatization. Coordinated by KS Ravindra, the movies is mutually delivered by Pawan Kalyan and Sharat Marar under the flag Pawan Kalyan Creative Works and Northstar Entertainment Pvt Ltd.

The film is slated to hit the screens on April 8.


Gabbar Singh (Pawan Kalyan) is the police in charge of Kondaveedu who has developed as a thistle in the tissue of the nearby goon Siddappa Naidu (Abhimanyu Singh). He has a back story, a tormented youth with his dad kicking the bucket when he was youthful and his mom wedding Naidu. Gabbar Singh detests his stride father however needs to patch wall to fulfill a guarantee he made to his mom.

Gabbar Singh, the character, isn't as whacky as Chulbul Pandey from Dabangg! He doesn't strut around in a lungi, nor does he wear his shades on the back of his neckline. He dons a consistent mustache and has no muscles at all. In any case, the character still figures out how to have practically the same impact on the gathering of people in general. "Nenu naaku poti natho evaru poti ki raru, raru," goes a punch dialog in the motion picture. It basically wholes up the execution. It's vintage Pawan Kalyan with all his trademark peculiarities and whimsies. It's a shout!

To the extent punch dialogs go, there are a significant number of them. Naku koncham thikka undi, kani daniko lekka undi, tops the rundown. Taken after by lines like, Peru, gothram cheppadaaniki nenaimainaa gullo poojaarinaa" and "Charitra gurinchi chepta buttala gurinchi alochinchandi". There's bounty for the fans to delve into. Be that as it may, what emerges is his moving, it's been a while since the Power Star has moved so much and his moves got the greatest shrieks.

In one grouping Gabbar Singh (Pawan Kalyan) gets a posse of crouching goons to play antakshari among them in the police headquarters. For the following five minutes what results can best be depicted as larky commotion with each of them singing well known shocking melodies in a steady progression. The motion picture is stacked with that sort of amusingness.

The movie producers have changed the plot to suit the Tollywood crowd's taste sense of taste. Venkatarathnam Naidu (Pawan Kalyan) is the main child of the widowed Suhasini, who weds Naidu (Nagineedu). Venkat despises his stepfather and grows up to end up a cop. He calls himself Gabbar Singh, propelled by Amjad Khan's character in Sholay and grows up to end up a cop who is a law unto himself.

He gets presented on the place where he grew up, Kondaveedu where he gets himself set against Siddappa Naidu (Abhimanyu Singh), the nearby goon with political desires. The coy Bhagyalakshmi (Shruti Haasan) plays Pawan Kalyan's adoration interest.

To the extent exhibitions go, Pawan Kalyan towers over everything else. It's an appropriately customized part that conveys the motion picture forward. His non-verbal communication and dialog conveyance take the cake. Shruti Haasan must be content playing second fiddle, of which she benefits a vocation. Brahmanandam and Ali divert with their comic demonstrations.

The music score by Devi Sri Prasad emerges and upgrades the entire experience. Malaika Arora's thing number Kevvu Keka is the emerge. The cinematography is sharp as is the altering. The activity arrangements additionally have been all around choreographed. The film sets another benchmark to the extent paisa vasool goes.
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